Embroidery

Embroidery has always seemed second nature to me. If something rips, stitch it up. If you have extra thread, make it look nice. This act of mending is something I have revisited in later work. I September 2010, I began experimenting with free motion machine embroidery. I loved the gestural look I could achieve by moving an embroidery hoop around a machine needle.

I have done sketches of iconic images, as well as drawings of personal photographs using this method. The pieces involving my personal photographs (Trying on Sunglasses with Mia & With Scott & Vanesa at Pink Pig) are an investigation in memory, mending, value, and labor. I am fortunate enough to have a very strong (nearly photographic) memory, and have no fear of forgetting everything with time. Yet I began to question myself when I realized that memories that seem so vivid are actually blurry at most moments in my mind, and while I can recount the sequence of events and many details, the image is degrading. I wanted to mend these memories, preserving them in some form.

By using free motion machine embroidery, I create a representation image that isn't exactly perfect, or too perfect in parts, representing the degradation of memory in relationship with the ideals of nostalgia. I am also interested in the value of memory, and by investing my time and labor, I believe that these pieces make the memory more valuable, as does displaying them in ornate frames and using gold thread. Yet by using free motion machine embroidery as compared to hand embroidery, I use less time, as my time is also valuable, and must be balanced.

Michaela Lynch

Michaela Lynch

Michaela Lynch

Michaela Lynch

Michaela Lynch

Michaela Lynch

Michaela Lynch

Michaela Lynch

More embroideries will be added here regularly as the personal photograph work is part of an ongoing investigation, possibly influencing my BFA thesis work to come.